Tag Archives: Glamberts

The 3rd Coming: Adam Lambert’s #GhostTown begins the Rapture of “The Original High”

We’ve been praying religiously to #ThePopGods for the time to pass quickly ever since Adam Lambert started teasing us with snippets and tonnes of glowing industry reviews of his new, Max Martin/Shellback produced single Ghost Town, his debut offering under Warner Bros. Records, and the day is FINALLY here!


Prepare yourselves, ladies and gentlemen, for the RAPTURE! Only the devout will ascend in to #PopHeaven, but don’t panic, you’re all likely to believe once you’ve heard this other-worldly, soon-to-be-SMASH.

First, I share my very first impressions of the track in tweet form, as I lay in my bed with the track on repeat last evening:

GT-FirstImpression1 GT-FirstImpression2

I’ve had about 13 hours to listen and think things over, and I think it’s safe to say that Ghost Town is everything the onslaught of early reviews has said it is, and more.

  • It is “BONKERS.”
  • It is a more restrained vocal offering from Lambert, but it does not lack impact, what-so-ever.
  • It’s a complete and total earworm, but while that description is often reserved for fluffy pop tracks that lack substance, Ghost Town is dark, broody and complex.
  • It does seem to owe some inspiration to the folk-EDM tracks of 2014 and Madonna albums before it. It does have deep house beats that are reminiscent of 1993 and work of recent artists like Kiesza. It *could* be compared to the tone of the X-Files theme. The best news of all is that while all of these things are true, Ghost Town actually sounds like NOTHING else out there in mainstream pop music right now, and that is why it will stand out.
  • These lyrics are dark, dramatic and will probably inspire many broody, attention-grabbing Facebook statuses from your most down-in-the-dumps Facebook friends. That said, they’re beautifully written and sit perfectly at home in the sometimes sparse and sometimes spastic sonic landscape Max Martin and Shellback have created here.
  • This track is ALL ABOUT DAT BUILD. It starts off airy and meandering, adding layers and intensity as the song progresses, but JUST WAIT FOR IT! After the second hook, the bridge goes balls out, with Lambert’s vocals soaring and climaxing with what might be the most glorious vocal performance of the word “Oh” that I can recall on record, before the chorus explodes in whistles and basslines once more to finish you off. It’s the most transcendant 15 seconds of recorded music I’ve heard this year, and for me personally, it’s the biggest payoff of the entire track.

Ghost Town (Single Art)

Listen for yourselves, and then quickly dash to your nearest online music retailer to purchase this track, lest you want to be one of those left behind with the tumbleweeds.

With the release of Ghost Town, so starts the countdown to the 3rd coming. Era #3 is officially under way, and you can pre-order Lambert’s “The Original High” now. Check out the cover art and very exciting tracklisting below (featuring collaborations with Tove Lo, and Brian May of Queen!)



Ghost Town is available NOW in most regions on iTunes and other online retailers!

Go to AdamOfficial.com for more information on “The Original High” Pre-Orders, Special Fan Bundles, and More!

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Stop the In-Stan-ity!! (An Intervention)

Stans of the World (and other interested parties),

We gather here today and everyday to rejoice in the word of the Church of Pop. It is my honor to have been chosen by The Pop Gods to spread the righteous word and while much of my experience has been positive since I began preaching the Pop Gospel last November, I have to say that the amount of bullshit (for lack of a better term) that is thrown between fanbases is completely ridiculous and quite frankly off-putting. For branding purposes and as an excuse to spend countless hours making some digital art, I will call this phenomenon:

(Full-Size Image Link, if you’re interested)

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Judgement Day: Pop Heaven or Hell? Adam Lambert’s “Trespassing”

Well hello Ladies and Gents! It’s time for another installment of Judgement Day: Pop Heaven or Hell!

Today Adam Lambert’s long-awaited sophomore album: “Trespassing” (in stores on 5/15/2012) is standing at the pearly gates of Pop Heaven waiting to find out what The Pop Gods have decided as it’s fate. Will it be allowed into Pop Heaven, banished to Pop Hell or simply left to wallow somewhere in Pop Limbo?

Now, before the verdict is revealed, I must admit that I may have said in the last instalment of Judgement Day that I was going to depart from the formulaic track-by-track album review. Since I started this blog back in November, I’ve had the pleasure of interacting with lots of pop culture enthusiasts, be they fellow pop bloggers or simply fans. While I have yet to encounter every fan base, I would have to say you’d be hard pressed to find any fan group who are more devoted and supportive than that of The “Glamily” (also known as “Glamberts” and some as “Fanberts,” others just “Berts”.) I posted back in December 2011 about lead single “Better Than I Know Myself” as someone who had not always called himself a fan of Lambert’s and in the time since I would say that I’ve hopefully become at least a distant member of the Glamily and I’m confident that my fellow Glamberts would prefer I give “Trespassing” it’s due time and consideration.

Check out the Judgement Day: Scorecard and the track by track review, after the break…

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Judgement Day: Pop Heaven or Hell – Adam Lambert, Better Than I Know Myself (Music Video)

“To be a star, you must shine your own light, follow your own path, and don’t worry about the darkness, for that is when the stars shine brightest”
– Unknown

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Judgement Day: Pop Heaven or Hell? (Adam Lambert – Better Than I Know Myself)

(Buy “Better Than I Know Myself” on iTunes!)

Forgive me Pop Gods for I have sinned. It has been approximately 14 minutes since my last confession…

There was a time when I really didn’t care for Adam Lambert.

Before you flood me with hate mail or start looking for spare pitchforks and torches, let me say that I have truly enjoyed and supported everything that he’s done post-American Idol. There was something about the way everything happened on his season of American Idol that just made me… not a fan…  despite repeated conversations with my mother about how much she loved him. I would say that I was probably pretty intense about my non-fan-ness for a time, though truly I can not give you a reason in retrospect. Perhaps it just took me some time to understand what he’s about as an artist.

Regardless of the rhyme or reason in the baginning, the fact remains that my opinions have changed! I feel that I have just had an epiphany!

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