Monthly Archives: July 2012

Judgement Day: Pop Heaven or Hell? – Marina & the Diamonds – Electra Heart

Forgive me, Dear Readers, for I have once again sinned.

Somehow I have yet to post my thoughts about Marina and the Diamonds sophomore release “Electra Heart”, despite having written a rather lengthy piece about it’s concept and marketing plan prior to it’s European release nearly three months ago.

In my defense, I have made multiple attempts to finish and post this piece and somehow just never managed to sort out my thoughts to complete it until now. Luckily, the album was released today (7/10/2012) in North America and since I happen to call Canada my home and native land, it’s only suiting that I post my thoughts on “Electra Heart” on the day it becomes available for purchase on my shores.

It seems that a frequent criticism of concept albums is that the music is overshadowed by the pressure to understand the conceptual context of each song, rendering a body of work “lost” in it’s own conceptual fog. Given that Diamandis has gone to such lengths to present the release as a concept album, even adopting an entirely new character & image, I feel the concept should be a significant part of the discussion despite the inherrent risk of this possibility.

Diamandis has discussed “Electra Heart” in great detail as a kind-of character study channeling four female Archetypes and telling a story about dysfunctional love, using elements of Greek  Tragedy. When analyzing the entirety of “Electra Heart” within the multi-faceted concept some may argue that it’s much easier to find fault in the project than if  you choose to disregard its concept and listen solely as a fan of pop music. In the name of fairness, I have decided to present my thoughts on the album within each of these contexts; it’s strength as a concept album and it’s strength as a body of what I believe to be rather brilliant pop music.

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HOLY F**K!: How I Stumbled Upon The Most Thrilling New Act of 2012!

(Please note: If you’re currently directing your cursor to the little “X” in the top, right-hand corner of this window, I assure you that it’s not what it looks like!)

Dear Reader, I would like to share with you all how a moment of curiosity can lead to the most wonderful discoveries. Today, as I sat at my laptop for the fiftieth time to check out Twitter, I caught a tweet by electo-hip-pop duo: Karmin. It declared their eligibility for the cover-race in this September’s “Women Who Rock” edition of Rolling Stone.

Truthfully, I’m on the fence about Karmin! For those of you not in the know, Karmin are former YouTube stars who had a viral hit with a Chris Brown cover posted on the social networking site which led to them being signed to a major label in 2011. Their hit single “Brokenhearted” has been in pretty heavy rotation on pop radio. I enjoy the single, but I’m not in love with their recent EP: “Hello” and when I was first introduced to them when they performed as musical guests on SNL, I wasn’t immediately won over. (Apols, Karmin!)

My personal uncertainty about Karmin aside, the tweet made me interested in the idea of them getting a Rolling Stone cover so I clicked on the link for more details. now I have them to thank for indirectly introducing me to a new obsession!

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Popologist Panel: Justin Bieber, Fiona Apple, Diplo, Katy Perry (July 2012)

Check out the all-new second installment of the Popologist Panel on Vertigo Shtick, of which I am honored to be a part of!

This month, we tackle the latest releases from Justin Bieber, Fiona Apple & Diplo, music videos by Katy Perry & Sky Ferreira and singles by Alexandra Stan, Esthero, NERVO and Carly Rae Jepsen!

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